Posts Tagged ‘Interview’

Interview with Preston Kelly Ad Agency Owner Chuck Kelly

Posted by Andrew_Cox

Wednesday, August 4th, 2010

Preston Kelly Agency is an independent full-service agency focused on creating “iconic” ideas for the brands they work on.  They are located in North East Minneapolis, Minnesota.  I sat down with owner Chuck Kelly to ask him about running a business, future trends in advertising, and managing employees.

Did you know you wanted to go into advertising when you began your career?

I had no idea.  I knew I liked communications but I had never been to an ad agency before grad school and knew very little about the industry.  After graduating and looking for jobs I got an interview at an agency and thought I would give it a shot.  I got the job, it was as a copywriter, and I learned a lot but I also learned that being a copywriter wouldn’t be the best use of my skill set and then I got into account management.

What has been one of the biggest challenges running the company?

A big challenge is never take anything for granted.  Never assume anything is going to happen.  Never assume anything about your clients.  You have to work just as hard in your fifth year as you do on day one.

When you first joined the agency did you have any pre-conceived notions that proved wrong immediately?

I wasn’t a student of advertising.   People today are much more serious about advertising and study it much more than I did when I started.  One of the things I did learn early on, and its still true today, is pay attention to what is going on in the world.  What are the current trends and what isn’t a trend anymore?  Being aware of the world and culture.  Something that was confirmed to me early on and it is still true today.  There are so many changes in social marketing and sometimes the changes are overnight.  So I didn’t have a lot of pre-conceived notions but something I came to like right away about advertising was that you could get things done fairly quickly, it made you think, you had the opportunity to work with smart people who confront problems in different ways.  For example the way a media person looks at a problem is very different from where a planner or a pr person looks at it.  There are many different perspectives and they are all smart ideas and you have to be brought together to make a great idea out of something.  You’re never in a room with people that think exactly the same way and that, for me, is very stimulating.  You never get into a habit of thinking a certain way.  Most problems typically are different and you have to approach it differently.  That also means not working with the same people on every project and you are exposed to many different perspectives that all help you get better solutions.

You mentioned not being a student of advertising.  In today’s world many people believe you need a specific degree for a specific job.  Looking at advertising today, how important do you think it is for someone to have a specific degree in advertising?

There are certainly benefits to having an advertising degree but having a psychology degree where you look at how the mind works and how people make decisions, those types of disciplines aren’t always emphasized in an advertising curriculum but are very important.  Having an advertising degree is certainly important and has contributed to a lot of people’s success but I also think that the broader your education, oftentimes, the better off you are.

So having a degree of some kind is important?

I agree.  I think you need to go through the formal education process.  There is some maturation that occurs during the process and there are things you learn about people and the world and I think more times than not, nearly all times, there is value in the degree.  That doesn’t mean it has to be in a very specific discipline but something that helps sharpen your critical thinking and forces you to learn.  Learning is so important.  In this business, you should be learning something everyday.  Maybe it’s about a new product or something about a new clients business but you need to be learning everyday.  When you start to do things because that’s how you did it in the past or because you have done it that way before then you become stagnant and you’ve lost your passion for the business and your passion for the business and soon you won’t have a job in the business.

What do you do to relive stress?  How do you balance your work/life balance?

I find exercise is helpful on a nearly daily basis.  It works for me physically and emotionally.  There is a purging process that occurs so I think it is very important.  Also, spending some time with people who are not in the business, maybe on the weekends, because it helps you get away from it sometimes.  Otherwise it is very easy to spend all your time in the business.  In my case, work/life balance is very important because my children are grown up so I no longer have the structure of raising children so it is easier to focus on business all the time.   I also enjoy golf in the summer because it gets me outside and it can also be used as a business tool.

As the agency grows and you add more people, have you found it difficult to manage the culture?  How do you make sure you preserve it?

It hasn’t been difficult because our people are the culture and we haven’t grown to the level where we have more new people than experienced people.  Our culture is the product of everybody who is here.  They like the culture and want to sustain it so I think as the more experienced people teach the newer ones we aren’t losing anything because the people who are here don’t want to lose it so they make sure to preserve it and help build it.

Do you have a vision of how you would like to see the agency a year from now?  What about five or ten years from now?

Three to five years ago I would have said yes and here it is.  That isn’t the case today.  We are focused on growth still but agencies are evolving so fast with social and digital marketing.  All I can say with certainty is it will be a much different agency in five years than it is today.  We will be much more digitally and socially driven.   Exactly how or where, I don’t know because that world keeps redefining itself.  Will we have an emphasis in it and will it be our primary way of communicating our client’s messages?  Yes it will.  So to do that it means we are hiring people that are digitally savvy but still strategic.  The thing that isn’t changing, the core of our business, is ideas.  That continues to be what we do.  How we express them is changing really fast.  We will focus on iconic ideas but we will express them differently than we have in the past and we will grow our digital competencies to ensure that we are on the forefront of how best to do that.

Will there always be a place for traditional media?  Will Billboards and TV commercials disappear?

No.  People watch more TV now than they ever have.  But if you listen to people in certain circles TV is dead.  People will continue to listen to the radio in their cars.

Facebook and Twitter aren’t going to replace TV and become the end all be all?

No.  They traditional methods aren’t going to go away, they might become more splintered, but they will be enhanced by other mediums.

Why do clients choose Kelly Preston?

They don’t believe their brand has any distinction in the marketplace.  There is nothing that stands out with consumers.  They know they need that to be successful, they’re frustrated with not having it in the past, and most likely, their business is changing and one thing they need to do is have an identity and they will say I need to have an iconic idea.  An iconic idea creates a brand, which is a business tool, which is hard to compete without it in most markets.

So something needs to be done to make a distinction between all the similar products in the market place.   I think about cereal or soap and they are all basically the same.   Why do you think most companies struggle with brand identity?

I think in many instances, the product comes before the need is defined.   Products are often brought to the market based on manufacturing capabilities versus market demand.   I’m generalizing here, but large companies will rigorously research market demand before they launch a new product, but it is very difficult without being innovative, without having iconic ideas it’s really hard to distinguish a brand from all the advertising you are exposed to everyday.  What makes you really listen to the message?  It has to be interesting.  It has to be told in an interesting way.  However oftentimes, to make something interesting, people don’t have the patience or don’t want to risk really innovating.

I think about a company like Apple, which is really good at marketing its products because it takes risks quite a bit with bold leaps and creates new markets it can dominate or redefines existing markets.  Speaking of risk, so many companies seek to reduce risk as much as possible.  How do you approach risk taking?

We understand that there is some risk we take with some of our ideas we bring to our clients but we don’t ever think risk is something that will bankrupt the brand or the business.  It is the type of risk where the downside is maintaining the status quo and the upside is huge potential for market dominance.   Some ideas are too risky for some clients so you always want to have another option that is a bit safer.  It is still a good idea but it might not have the potential to really elevate the brand to the top of the market.   Providing multiple options, the client will have greater confidence that we have thought it through, given alternatives, but they see, with their own eyes, here is one that has potential and here is one that has even greater potential.  A client has to see more than one idea, typically, to have confidence in that idea.

Is selling an idea to your clients a big part of your job?  Some of your clients are large, traditional companies not known for pushing the envelope with their advertising.  Is it difficult to persuade them the see the vision you have for their brand?

Clients change quickly.  The chief marketing officers change quickly.  There is a saying that says you don’t sell advertising, it is bought.  The high turnover rate shows what little regard there is for marketing from the perspective of the board and CEO.

What do you look for in potential employees?  Are there any similar characteristics that stick out?

People that we want to work with are curious, intelligent, not satisfied where they are, they want to learn, collaborators, believe in iconic ideas, and they are also the kind of people you would have a beer with.  They’re driven, but not consumed so there is balance in their lives.  We also look at their breadth and passion for conveying an idea in many different ways.   We want people who can convey information in many different ways.

If you won the lottery how would you do with your time?  Would you still work?

Money is a small thing in certain ways because if you’ve had a life where you’ve been engaged and thinking, you’ve been around stimulating people, to think that money will replace some of the most valuable things in your life, the exchange when interacting with smart people, it would have to be used in a way to improve the world we live in.  To do that would involve collaborating with a lot of people.  Giving back in someway to benefit people.  To go live on a yacht and check your portfolio everyday seems like a dull existence.   There is something that keeps me in this environment as long as it has.   In this business you live by your wits.  There isn’t a lot of technology that you can use as a crutch.  Its hard to leave that because its part of your life.

As a business owner, what advice would you give to someone starting a company?

You must have a lot of stamina.  You can have a solid business plan, very clear strategy and have everything in place but the intangible is the stamina and the commitment for making it happen.  The will to succeed is the most important thing and the only important thing to move a business forward and without that will and without that drive, all the plans and capital isn’t going to be utilized without the will.

What do you do when you can’t act?  How do you motivate yourself even when it feels like nothing has gone right?

The belief in the organization is huge for me.  Having a good partner is really important to bounce ideas off and think things through with and challenge one another but also be there for each other for support.

How important has it been that you and your partner have matching attributes?

You need to think about other perspectives so having other people who challenge you is really important.  But those people also have to have similar values.  That way you can have healthy debate where you get a better outcome.

What skill would you like to improve upon right now?

Networking.  It’s critically important in this business but it’s something I could always be better at.

Thank you very much.

My pleasure.

For more information about Preston Kelly check out their website here: http://www.prestonkelly.com/

4 Career Tips From A Media Consultant

Posted by Andrew_Cox

Monday, May 10th, 2010

I recently sat down with an online strategy consultant to ask her what she thought were some of the most important business lessons she has learned in her 25 years as a consultant. She gave me 4 major lessons anyone can apply in any job.

Reputation

It is so important to deliver when you say you will. You just never know where your next opportunity will come from and you’d be surprised how often people meet again a year or five years later.
A lot of people deliver on the work they promise but what separates the great consultants from the pack is the little things. Always act professionally, respond promptly to phone calls and emails, and never lie about a situation to make yourself look better or cover up anything. Those little things add up to make the entire package look even better than one that was handled appropriately but in a sloppy way.

Network

Aggressively network at all times. Not just when you want something from someone. It’s actually better to approach people when you don’t need anything because it will lower their defenses and you will get the best information. Then later, when they can help you, they will know you already and be more willing to assist however they can.

Continuous Learning

Keep taking classes in your field and fields that interest you so that you continue learning and so you’ll meet other people with similar interests who might become valuable contacts in your network.

Specialize

Never project yourself as a generalist because people will question what value you provide. Usually you will be hired because your expertise is required in a situation not your general idea or suggestion. Maintaining a niche will also make you more marketable because there are fewer people within a specialized segment as opposed to generalists.

Q&A with Game Designer Whitney Hills

Posted by Andrew_Cox

Sunday, February 14th, 2010
Whitney Hills began working in the game industry in 2007. She lives in Seattle and works on both sides of the development fence: By day, she makes big games at a first-party publisher, and by night, she makes indie games at home.
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What originally interested you in the video-game industry?
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I’ve been a gamer since I was three (the first game I ever played was The Manhole), and both PC and console games have always been a massive part of my life. It wasn’t until junior year of college that I considered entering the game industry– I was an English major, trying to figure out what I wanted to do once I got out of the gate.  It occurred to me, in kind of a “duh” moment, that I spent most of my time and money on video games– that I really, really loved them– so I decided to try and make a career out of it. It’s worked out so far, and now I don’t feel guilty for playing hours and hours of Warcraft III instead of doing homework.
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What is the one strength you need to have in order to keep yourself focused?
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Probably the ability to pick an idea and see it through, even when you’re getting sick of it and would rather focus on some new conceptual hotness. A finished game, or even a playable game, is always going to be more impressive than the cleverest of ideas– even if the game itself isn’t completely revolutionary. It’s almost like a marriage. You gotta stick around and fix what’s wrong with the idea you committed to, even though it’s grown love handles and always burns the goddamn toast.
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What are you reading right now?
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Moby-Dick. Somehow I’d gotten through life thus far without reading it. Melville is ace. I also just began reading The Wind-Up Girl by Paolo Bacigalupi and am enjoying it so far. I’m ruthlessly picky about science fiction, but the prose is illustrative and thoughtful, so I think I can take off my snob hat and just enjoy it.
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You’re a woman in a perceived male-dominated industry.  What advantages and disadvantages have you experienced being a woman?
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I think people have a higher baseline of curiosity when you’re female and working in games, because it’s still a fairly novel concept. But in my experience, at the end of the day it’s still very much a boys’ club. I’ve had a few experiences where my outsider status was uncomfortably apparent, like, “Look, it’s talking! I think it has an opinion! What are those things on its chest?” And even well-intentioned folks can be frustrating when they ask me: “So, what kind of games do women like? Would women like this concept?” …People play games for all manner of reasons, and women are no exception. I’m not the voice of all. There are female gamers who only play Farmville, and there are bloodthirsty female gamers who are only interested in blowing your torso across the room with an RPG. I constantly seesaw between not wanting to talk about gender at all in the hopes that people will just get over the issue, and feeling like I gotta represent when I see something that’s unnecessarily exclusive or unfriendly to women. Men are the primary generators of content in the entertainment industry– that’s just how it is. Fortunately there are more and more educational initiatives targeted at young girls– people out to tell them that hey, you too can be creative and/or technical. (I hear the Jonas brothers dig chicks who know C#.)
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Why do you think so many people in our generation (Gen-Y) are turning to entrepreneurship instead of working for corporations?
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I think a lot of Gen Y people just want to hit the ground running and DO STUFF instead of having to clamber up some arbitrary totem pole. The past several years have involved tale after tale of employees being completely shafted by corporate interests, so it’s unsurprising that younger folk would want to try their luck at avoiding such a fate. For the game industry in particular, quality of life remains a hot issue. And if you’re going to work 70+ hours a week for something, it might as well be a goal you believe in, not the next Madden game.
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You are in the middle of creating your own game.  What can you tell me about it?
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It’s called Ghost Chef, and it’s a fantasy kitchen simulator. There will be a trailer going up at ghostchefgame.com towards the end of February– animations just started coming in so I’ll be shoving in lots of art content over the next month. It’s inspired by the summer I spent working in a hectic bakeshop in rural Georgia– except the game is populated by ghosts instead of rednecks. Also a kraken or two.
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What do you see as the future for the video-game industry?
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Right now we’re in the middle of a mobile gaming goldrush. I prefer to play games on my couch in fairly epic stretches, so most mobile games are unappealing to me because they lack that depth of immersion. I do hope, however, that mobile games will pave the way for the rise of the ARG (alternate reality game, the most well-known being ilovebees). ARGs can harness the social and GPS capabilities of mobile devices and, I think, would be an interesting step toward integrating gaming with daily life and activity.
Otherwise I suspect the industry will plod on as it has for the next several years– formulaic big-budget games versus experimental indie titles. I want to see more “medium-sized” games like Portal, which took between two and six hours to play through. Right now many titles fall at two extremes: bloated 40-hour mainstream games that stretch beyond their own novelty, and 15-minute casual clickfests. There’s gotta be a happy medium– I’m hoping to see more properly-funded, compact, satisfying experiences within that two to six hour range.
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What websites do you have to look at everyday?
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…do I HAVE to look at? Definitely Wikipedia and YouTube. Whether I’m working on a specific project or just feel like knowing the average gestation of the yellow-bellied marmot, the information pipeline that those two sites provide is totally invaluable. YouTube is of course the single-best distraction ever invented (I intend to make a line of shirts that proclaim YOUTUBE RUINS PARTIES), but it’s also irreplaceable for trading references when collaborating with artists, etc.
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If you had to choose a different job in an unrelated field, what would you choose?
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I’d like to own an apple orchard. I’m not even that crazy about apples, but sometimes after I’ve been staring into a monitor all day or constantly refreshing some stupid feed, I miss the smell of dirt and the satisfying ache of manual labor.
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Thank you very much!
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No problem.
Ghost Chef